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Movie Breakdown: Black Panther (Noah)

February 15, 2018

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Pre-Screening Stance:

I mean how can anyone who likes anything not be excited about the fact that the man who directed Creed is lording over the debut film of a big time African-American superhero? And that every tiny bit of material that we’ve seen is both inspired, beautiful and potentially amazing? Yeah, I’d say my stance is bring it the fuck on.

Post-Screening Ramble:

Ryan Coogler’s Black Panther is, strangely, not a great superhero movie. The standalone film about the new Wakandan king, T’Challa (Chadwick Boseman, impressive as always) trying to keep the tradition of his homeland while fighting off outside forces feels clunky in the more outlandish aspects. Coogler, like so many skilled directors before him, isn’t made for big budget super heroics and the action and plotting that drives the narrative never feels comfortable. The action in general is pretty weak for one of these big Marvel hoo-has, as if Coogler couldn’t get the gritty fist-fighting of Creed to sync up with the spinning cameras and exploding nano-tech of this much more fantastical world. But, come on, this is Black Panther – the first Marvel film directed and written by an African American, the first Marvel film to feature an almost entirely black cast – the superhero stuff was never going to be the point. Coogler’s too smart of a director for it to be so. And the rest of the film, the thick chunks of character interaction and development and the subtext that bubbles just below the surface – that’s amazing. As a film, a real film outside of the spinning tops of Marvel Studios, it’s a slam dunk. This is a film about African tradition and what it means to go against those traditions. It’s a film about growing up without a father. It’s a film about family and community and how important those are. It’s a film about what being black – African, African-American, whatever – in the world is like. It is a film rooted in the culture of Africa and Coogler doesn’t go a damn second without throwing some beautiful spin on African textiles or style or design on to the screen. It’s bright and colorful and somber and dark at times. The bass-heavy thumps of Kendrick Lamar bounce in the background and it just drives the film forward. There isn’t a weak character in the film – outside of say Martin Freeman’s token white guy Everett K. Ross – and Coogler makes sure that no one is bereft of a character defining moment (Daniel Kaluuya’s war rhino scene is one for the books). It’s when the film is forced, by the strictures of Marvel Studios to be a film in that universe (because, duh, it is) that it softens, loses some of the edge Coogler brings to every second it isn’t discussing vibranium asteroids and power suits. Coogler has made a fantastic movie, it’s just been glued to one that doesn’t work as well.

One Last Thought:

If I had a stab at this film, I’d cut every swelling violin shoved into the big moments and replace them with anything Kendrick Lamar did for the soundtrack. The composed score is treacly and maudlin and takes away from the film’s greater identity.

One More Last Thought:

This is a huge tentpole, big-budget, money-raking film and for the first twenty minutes there isn’t a white face to be seen. It’s amazing.

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Movie Breakdown: Black Panther

February 15, 2018

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Pre-Screening Stance:

Black Panther has legit cultural significance and it’s the final Marvel film before Infinity War.  Do you really need another reason to be excited about it?  I don’t.

Post-Screening Ramble:

Black Panther is another hit for Marvel.  It’s culturally rich, which makes it not just feel like another superhero movie, and it’s generally more of standalone effort than a setup for the next MCU flick (something a lot of Marvel movies struggle with).  Also, I think that it features a couple of all-heart performances from Chadwick Boseman and Michael B. Jordan.  The great stuff here is legit great, but the film definitely has a variety of issues that aren’t possible to overlook.  Ryan Coogler, who is a director I greatly enjoy, just doesn’t quite roll out his best work here.  I don’t know if the glitz of such a big budget film threw him for a loop, or if the forced tie-in to a bigger universe is what tripped him up, but there are a lot of bizarre things at play.  The film has a fantastic, Kendrick Lamar-crafted soundtrack, but it’s not really utilized at all.  The fight scenes are borderline terrible, as they’re largely shot from the ground up and are difficult to follow.  The third act is slow and predictable, and I found myself frequently shuffling in my seat as the film’s two hour and 15 minute runtime started to started to stretch on and on.  Do any of these things take away from the overall film?  I don’t necessarily think so – it’s still a good time.  However, I have a hard time considering Black Panther to be a full-on home run.  Instead I think it’s a nice debut film for a relevant and important character.  Better things are yet to come?  Probably.

Go see Black Panther, just keep those expectations in check.

One Last Thought:

Martin Freeman and Andy Serkis serve no purpose in Black Panther other than to awkwardly tie it to the overall Marvel Cinematic Universe.  Surely there was a better way to pull this off?

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