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Wednesday, February 8, 2012

Today's post is all about my newfound and totally unabashed love of the banjo. I suppose it isn’t surprising. After all, violins and mandolins have long been favorite instruments of mine. Maybe they are the gateway to banjo love. I didn’t plan for this to happen; no, in my mind banjos were relegated to rodeos and cheesy country songs.

And yet, as of late, all I want to listen to are two songs that feature banjo. And there is something about the thick, distinct tonal quality of the banjo that makes it so appealing.

:The Magnetic Fields - All My Little Words:  This song features both violin and banjo, so of course I’m totally in love right off the bat. Stephen Merritt sings this sad song about a lover who is "unboyfriendable," and features the usual Magnetic Fields stellar lyrics and wordplay. The relatively simple arrangement allows the banjo to shine (yes, I am talking about the banjo like it’s a child) and Merritt’s deep, almost unemotional voice cuts across the divine layers of strings.

:Sufjan Stevens - Decatur, Or Round Of Applause For Your Stepmother!:  And then, how could I write about banjos without writing about Sufjan Stevens? This song is an indie classic that has some of my favorite harmonies, and of course, sweet banjo riffs. Yes, sweet banjo riffs. Lyrically, Stevens weaves personal anecdotes with historical trivia of the region, and the track is home is another lyrical gem, "Stephen A Douglas was a great debater, Abraham Lincoln was the great emancipator." The tune mirrors the lyrics; a sweet, sentimental, almost amused tone. It’s a perfect springtime song, the lazy accordion creating a warmth that is echoed in Stevens voice.

Harmonies? Banjos? Am I turning into a hippie?


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