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Friday, September 16, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - Forged

The Impression:

After being barraged with a parade of trailers for the Maya Independent Film Series, I’m a bit skeptical. The series main connective thread seems to be either a focus on Latino filmmakers or Latino subject matters, but the films, for the most part, look cheap and contrived. Forged, which I grabbed because the description sounded more like a gritty English crime film than a sappy bit of straight-to-video schlock, is what I decided to try.



The Reality:

I picked Forged, as stated above, because from the brief teaser paragraphs I was given for each film, it seemed, quite honestly, like the most that might feature overly-stylistic, over-the-top action. And I was completely wrong. William Wedig’s second feature skirts the edge of a crime film, Chuco (Manny Perez) has just been released from prison after the accidental killing of his wife. He’s almost immediately, moments after his release, sucked back in to the crime lifestyle. This leads to Chuco discovering his now homeless child Machito (David Perez) and turning his back on crime and having to escape the criminal underworld and his past and his emotions while, ahem, reforging his relationship with his son. Wedig manages to a certain degree to use a visibly low budget and a group of obviously amateur actors to create a film that, well, kind of works. Perez manages to instill Chuco with a sort of stupid charm, an almost Lenny-like thug unable to escape the allure of crime but not able to figure out any other way out. It isn’t a remarkably cheery movie and Wedig uses the down-trodden sections of Industrial Town, USA to clearly invoke the economic hardships that might push a father in to the life Chuco lead. It isn’t a great film, but it seems Wedig might have a life as a director if someone passed him a bag of money.


The Lesson:

Sometimes you win, sometimes you lose. It’s why I love being a film critic.



- Noah Sanders -



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