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Friday, September 2, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - The Interrupters

The Impression:

Steve James is a sort of American documentary god with Hoop Dreams in his discography. And though I will ashamedly admit that I’ve never seen anything he’s done, his film about urban crime in Chicago and a group of ex-gang members who thrust themselves in to danger to try to put an end to it, sounds very, very interesting.



The Reality:

The Interrupters is a great subject portrayed in a very rough-shod, furry sort of way. Steve James focuses his camera on a select group of Cease Fire Interrupters, hardened ex-cons who’ve turned their lives around and now seek to put themselves in the middle of violent situations in an attempt to defuse them and save lives. There is so much to be said about the subject of urban crime and why it occurs and though James touches on the pain and familial lack that sits at the center of it all, he spends much of the film in a sort of episodic reality-television lens where The Interrupters are called to save the day. It makes the film feel like an extremely long episode of some new urban cop show and drains a lot of the impact from the more emotional moments. Not to say the film doesn’t hit and hit hard. All James needs to do is aim the camera anywhere in the Englewood neighborhood in which The Interrupters work and there’s some wild evidence of the brutal lives lived in projects across the country. In truth I would’ve been happiest if the film had spent all of its time with the hard-as-nails-smart-as-a-whip Interrupter Ameena Matthews, a former gang lieutenant turned towards good who jumps between looming mother hen and bad-ass enforcer at the drop of a hat. She’s a pleasure to watch and to learn more and more about and though she fills most of the film I could only hope for her to fill every frame.


The Lesson:

Tighten it up Steve.



- Noah Sanders -



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