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Wednesday, May 25, 2011

Yesterday local rock heroes White Denim released their fourth studio album. It’s entitled D, the fourth letter of the alphabet. Get it? I’ve only had a day to absorb it, so I’m not ready to declare it the greatest White Denim record ever. However, I’m positive long time fans will not be disappointed and the band will probably even win a number of new devotees with the versatility that's on display in D.

The main knock against White Denim seems to be that their albums fail to capture the manic madness and spontaneous eruptions of their live shows. Of course, that criticism assumes the band is trying to replicate the concert experience. I've never really thought that was their goal. At its core the band is about exploration and experimentation, and they use their studio time wisely to craft stuff that's sonically interesting.  D continues their evolution while retaining the sound they're most famous for: hyper garage rock with a psychedelic twist. It’s a dense record that ranges from frenetic and fidgety to soft and melodic ... or even all of those things at once.

At The Farm
is a great example of the sharp turns the band likes to take. It begins with a 70’s soft rock groove before switching gears to jam band dueling guitars. That honestly sounds like it should be a train wreck, and yet somehow it works for them.  I think that's partly because of the recent addition of Austin Jenkins as the second guitarist. I’ve seen him perform with the band a few times now and he’s a marvel to watch. His presence is also apparent on Anvil Everything, which kicks off with fancy guitar fingerings and sweet melodies before taking a spacey turn into more psychedelic rock.

All four White Denim albums have lacked a uniform sound, and while that may seem like a bad thing, it’s actually their biggest strength and what makes whatever they record worthy of repeat listens.

:White Denim - Anvil Everything:

:White Denim - At The Farm:

:White Denim - Jay Time (Hard Stuff Cover):

- Dan Corbin -



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