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Friday, May 13, 2011

I try, as hard as I can, to see everything that gets released every single week. This presents a bevy of problems: a lot of films are shitty, thus my brain is melted in to smaller bits of puddle each time I sit through a Sex And The City 2 or one of its kin. At times five or more movies release in a given week, and ten or so hours of time is oft times difficult for me to wrangle up in a life wrought with, well, life. A lot of the time, and it never bodes well, the bigger films don’t get theatrical premieres because the studios are either too scared that critical lambasting will deflate their zeppelin or because, they don’t care. You can poke as many holes in a Transformer film as you want, it’s still going to make a bazillion dollars.

There are many reasons why I can’t review everything, but it doesn’t mean I don’t have an opinion on what’s coming out. Thus, this new column, What I’m Not Watching. If I can’t see it, I want to at least say how I think it’s going to be and whether or not it’s worth watching. Also, I’d love to give a good reason why I’m not seeing these films, because on occasion it’s just out of my hands.

Tell me what you think. And as always, thanks for reading.
 



- What I'm Not Watching -
 

Priest, d. Scott Charles Stewart

It’s a strange world where Paul Bettany is an action hero, but this is the world we live in. Upon first notion, Priest sounded like an abysmal train wreck of a picture. A film about post-apocalyptic vampires and the warrior priests that hunt them seems like another sci-fi fluke but trailer after trailer has convinced me that this film might be a fair bit of fun. Bettany plays a vampire-hunting Priest (with a capital P) who turns against the establishment to reveal that a vampire threat still exists and Jesus, if it doesn’t look like a shitshow of CGI violence and Mad Max style imagery. Sadly, Screen Gems, occasionally awful place that they are, had no interest in screening this one in San Francisco. Which bodes badly for their confidence in the picture and even worse for the possibility that I’ll shell out a nickel to see it.

Will I See It Sans Screening: Nope, sure won’t. And I certainly won’t rent it. These kinds of big-budget, CGI genre pics never fair well on my tiny laptop screen.


Forks Over Knives, d. Lee Fulkerson

Forks Over Knives looks like another entry in to the "our world is fucked up but there is a solution" genre of documentaries. I would’ve seen this film as I like to have a bevy of out-of-context facts to shower my friends with in moments of silence, but due to an agonizing schedule I missed the screening. That said, this kind of documentary has started to bore me behind belief and though I fully advocate the message the trailer seems to be broadcasting, I don’t know if I’d drop a cent on seeing this in a theater. More and more it seems that the general state of shit that our society and world find themselves in is mirrored by the general tone of doomsday that our documentaries are aiming at. I already fear the future, do I need to stoke those flames any higher?

Will I See It Sans Screening: Maybe. I have a strange obsession about knowing, and then forgetting, terrible news, so this might be right up that alley.


Nostalgia for the Light, d. Patricio Guzman

This is the sort of documentary I am much more excited about. I had ample opportunities to see this film, but just failed to do so. Patricio Guzman has crafted a duo of Chilean dictator flaying documentaries up to this point and Nostalgia for the Light follows suits. The documentary follows a group of people in the Atacama Desert, one a group of scientists probing the Earth’s sky and the other a group of women who search for the dead Pinochet buried there. It looks beautiful and moving and Guzman has already shone he’s capable of powerful films.

Will I See It Sans Screening: Certainly.


The Double Hour, d. Giuseppe Capotonde

I don’t know how I missed the screeners for this film, but I feel robbed. From the trailer alone it looks like an Italian neo-noir rife with sex and violence and tension and there might not be anything I like more than a noir transplanted to a different country. It racked up a slew of awards at various festivals and the trailer does wonders to squish any thoughts that I’ll ever try speed dating.

Will I See It Sans Screening: Oh yes, possibly this weekend.


True Legend, d. Woo-ping Yuen

One part of me thinks this film is going to be the new greatest kung-fu film to ever grace American shores. The other part thinks that it looks like a shitty Mortal Kombat rip-off. Woo-ping Yuen is one of the great fight choreographers of all time and he’s made a handful of exceptionally bad-ass films, but this one looks like it treads the path of computer graphics a little hard. I grew up on this type of film, hell, any love of film I have was force-fed to me by my kung-fu loving tennis partner and I’m drawn to this almost entirely for nostalgia sake. Is it going to be amazing? In parts yes. As a whole, probably over-long and a little boring.

Will I See It Sans Screening: Only if I can rally some troops to come along with me.


That’s the films for the week I didn’t see. Hopefully this list will be shorter and shorter each week as I find ways to balance my life with my film reviewing.

- Noah Sanders -



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