- About   -   Contact   -   Links   -   Tools   -   Archive   -   Film -



Tuesday, March 1, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - The Adjustment Bureau

The Impression:

A sort of stark, deco-looking slightly sci-fi picture with Matt Damon, the impressively attractive Emily Blunt, and John Slattery? My curiosity is at most peaked.


The Reality:

The sci-fi aspect of George Nolfi’s The Adjustment Bureau is probably a little over-hyped in the fairly overwhelming ad campaign currently. Though gently coated with the idea that our lives our "adjusted" by a group of well-dressed angel-types, the film is less about the fantastical, and more about the ooey-gooey love story that sits at the center. David Norris (Matt Damon), an aspiring political candidate, runs in to a beautiful party crasher (Emily Blunt) on the day he loses his first election. Three years later he runs in to her again, setting off a pulling back of the curtain of mystery that shrouds an elite organization that, well, runs the Earth. There’s a sci-fi movie here, but what Nolfi pieces together is a sort of modern day It’s A Wonderful Life, with a squadron of Mad Men-styled angels tweaking the world’s storylines to make everything work out the best way possible. Of course things go down hill when Norris and Blunt’s character Elise decide that they’d rather be together than held in check by the restricted fate dictated by the Adjustment Bureau. Even lacking in the sci-fi it seemed to promise, I found myself won over by the earnest emotion, Nolfi draws from both his script and his actors. This rides a fine line of sappiness, but the talented crew of people working on it manage to lasso it before it falls in to emotional oblivion. The duo of Damon and Blunt is a strong one, their light-hearted banter and chemistry completely believable, and its give a certain center to a film that involves magic hats and a nauseating, somewhat subversive, take on Christianity.


The Lesson:

I like my sci-fi a little harder, but with some solid leads and my perpetually soft heart, the gooier stuff can work out too.



- Noah Sanders -



Unless otherwise expressly stated, all text in this blog and any related pages, including the blog's archives, is licensed by John Laird under a Creative Commons License.