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Friday, June 17, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - The Last Mountain

The Impression:


I’m skeptical about The Last Mountain. From everything I can tell, from trailer and general impression, it seems like another entry in to the over-saturated market of documentaries about the degradation of our country by the corporate monster. An honorable past time to be sure, but one that I’d had my feel of in the last five years.


The Reality:

There is not an ounce of subtlety to The Last Mountain. It is a film about the horrors of mountain top removal coal mining and the salt-of-the-earth protesters who battle against the faceless monster of corporate energy. Bobby Kennedy Jr. is tossed in to the mix to be the celebrity face of the cause, and everyone is suitably portrayed as good and bad. Bill Haney hasn’t made a bad picture here, he’s just tossed another rock on to the pile of films just like these. More and more I find these types of documentaries (the absolute majority of what our screens our filled with these days) as high-budget, ultra-bias, educational films in league with what my poofy-haired biology guru Mrs. Nage would show us on slow days in high school. The Last Mountain steamrolls its viewers with information about the evil of the coal industry, while painting auras of saintliness around its beleaguered protagonists. The film jets along but its occasional tangents in to the background of Bobby Kennedy Jr. (a Kennedy I didn’t even know existed) and the strange right turn it takes near the end of the film, short out a little of its momentum. As a film of this type, The Last Mountain was certainly watchable, if not enjoyable, but I’ve had enough of films like this. I blame Michael Moore and his advocating and creation of the modern docu-prop genre. Even though I can’t imagine that he saw a future so bright.


The Lesson:

Can we please, please, please, please make documentaries about the six hundred thousand other subjects on the planet Earth that are not how shitty corporations are? I’d like to be entertained, not depressed, as the planet dissolves around me.



- Noah Sanders -



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