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Saturday, July 30, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - Another Earth

The Impression:


A fan-favorite emerging out of Sundance starring a fresh-faced starlet and lightly garnished with a side of sci-fi? Sounds very, very intriguing.


The Reality:

It took me a while to like Another Earth, but when I finally started to, this like quickly blossomed in to love. The story of Rhoda Williams (Brit Marling, the co-writer of the film as well) is shot in such a lo-fi, freshman in college type way, that I found myself, to begin, fighting not to think that I, with ambition and a chunk of change, might have been able to make the film. Yet Rhoda’s story, the story of tragedy and the discovery of a parallel Earth exactly mirroring our own drew me in. Yes, the symbolism of a second Earth where everything is exactly the same, but one that starts to change as soon as we discover it is a bit heavy-handed (the giant second Earth literally looms over most of the scenes in the film) but director Mike Cahill and company manage to make a film about the way we deal with unexpected tragedy that sticks in the craw of your memory. If mumblecore was still a popular genre, people might refer to this as mumblecore sci-fi, it is all emotion and the consequences of our actions with a glimmering glaze of science fiction. These are the moments I found the strongest - the discovery of a second version of each of us, Richard Beredzen’s robotic voice, the chilling ending - but Cahill is no slacker when it comes to bringing the emotion either. The film shines with Brit Marling’s pain and grief and her emotional journey is what draws together the looser elements of the film.


The Lesson:

Sundance still gets it right sometimes.



- Noah Sanders -



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