- About   -   Contact   -   Links   -   Tools   -   Archive   -   Film -



Friday, February 18, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - I Am Number Four

The Impression:

What with the slab of concrete that is Alex Pettyfer leading the charge, and the perpetually backsliding DJ Caruso behind the camera of yet another teen-lit adaptation, I can only imagine this film will be much like soldering my nether-regions to a car battery.


The Reality:

I’m grimly fascinated with DJ Caruso. Long, long ago, under the recommendation of a trusted source, I watched The Salton Sea and was absolutely blown away. Style and substance so gracefully blended in to a neo-noir unlike any released in the previous years. I expected great things from DJ Caruso. Yet they never came. His filmography since has been an EKG of ups and downs, with even his best films of late (Suspiria has a modicum of charm) being merely shallow entertainment. His decision to continue in the teen-oriented vein with I Am Number Four seemed yet another step backwards in to the abyss, but because I’m always hoping for a return to form, I made plans to indulge in its obvious idiocy.

To confess a dire sin: I actually enjoyed it quite a bit. The story of an alien child on the run from sharp-toothed alien colonists, hell-bent on his eradication, could’ve been another mindless romp fronted by a pretty face. For the most part, it is this, but Caruso manages to gather his directing chops for a moment and spike the film’s punch with a handful of impressive action scenes. Sure, the film is deluded by awkward dialogue and character beats that stem from nowhere, but I was handcuffed with disbelieving enjoyment the entire film. When it ended, sequel wanting tentacles dangling in the void, I was ready for more. Call it a sick love for DJ Caruso’s particular brand of torture, or maybe this is just a better-than-average Hollywood blockbuster.


The Lesson:

DJ Caruso might be down, but he’s never out for the count.



- Noah Sanders -



Unless otherwise expressly stated, all text in this blog and any related pages, including the blog's archives, is licensed by John Laird under a Creative Commons License.