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Friday, August 26, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - Our Idiot Brother

The Impression:

There were fair to middling reviews coming off the festival circuit about this one, but because of my ardent love of all things Paul Rudd, I deigned it worthy for my holy eyes.


The Reality:

Our Idiot Brother is as affably good-natured as its moronic titular character. It’s so nice and so damn pleasant that it never knows if its a dick-joke comedy or a sincere family film. And its lack of identity hamstrings it. Paul Rudd plays Ned, the kind of happy-go-lucky life trusting human being you imagine only lives on the suburban streets of the Midwest, and the reclusive organic farms of upstate New York. Busted for selling weed to a uniformed officer (a set-up which gets one of the better lines of the movie) Ned is forced back in to the lives of his three, well, drifting sisters. It’s a trio of cliches - the slutty one (Zooey Deschanel), the amoral business one (Elizabeth Banks), and the harried family one (Emily Mortimer) - but the actors involved are of a high order and each is able to give some backbone to the stick figures offered them. Unfortunately Our Idiot Brother plays like a joke about overly earnest films. Sure, there’s dick and fart jokes and Paul Rudd talks about getting high a lot, but as the film wrapped, I felt bamboozled because this wasn’t a crass comedy, this was a family film dolled up with dirty magazines as wrapping paper. I chuckled and laughed and generally enjoyed myself but as loose end after loose end after loose end starts to wrap up and the three sisters and Ned started learning some life lessons the film takes a steep dive in to television territory. I will say the film never becomes bad or unwatchable but it just sort of bounces along like Ned, a man too nice for his own good, swathed in weed smoke, just happy to be on screen.


The Lesson:

I like my dick jokes in the context of cynicism and darkness, not cheer and sunshine.



- Noah Sanders -



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