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Thursday, April 21, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - Ceremony

The Impression:

From the looks of the trailer, this film seems another entry in to the much loved Wes Anderson/Noah Baumbach world. Quirky characters exist in a beautiful framed world of beautiful people doing quirky things. I’m intrigued, but worried about the possible redundancies.


The Reality:

Max Winkler, Henry Winkler’s son, is one of those lucky bastards with all the talent in the world who could’ve just grown up smoking weed next to his pool and taken his eventual inheritance money and become a film producer when his father kicked the bucket. But no no, instead he’s chosen to become a director and his debut, the delightful Ceremony, is a assured take on a well-trod story. Sam (a finally impressive Michael Angarano) takes an old friend Marshall (Reece Thompson) on a trip to upstate New York, to "get him out of the house." Turns out Sam, an asshole of the highest order, has dragged his dopey friend upstate to crash the wedding of a glorified fling he can’t shake. Winkler blew me away with his ability to chart the way we as humans see our place in the world. Sam’s just a failed children’s book writer, but he wants to be so much more, and the films slow dissolution of this opportunity is at times heart-breaking. Yes, it does drift dangerously close to the perimeters of Baumbach and Anderson, but the similarities come across as influences, not blatant rip-offs. Lee Pace is amazing as the bride-to-be’s ultra-cocky fiancé and Jake Johnson continues to redefine the bro character in modern cinema.

A fantastic first feature from a director to keep an eye on.


The Lesson:

Well, gee whiz, a new wave of directors influenced by my favorite indie-darlings of the 1990s. Paint me excited. With non-toxic paint, please.



- Noah Sanders -



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