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Friday, April 1, 2011

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - Trust

The Impression:

I can barely take David Schwimmer seriously as an actor, and after The Pallbearer his directorial skills are incredibly in question as well. Thus, his strange notion to direct a film about internet sex predators has me more confused than anything else.


The Reality:

You can’t say that Trust is an outright failure because it does an impressive job of making you uncomfortable in the creepiest way. I found myself, many many times, throughout this film turning my head or shutting my eyes to try to freeze out the images or ideas displayed on screen. And, if Schwimmer was intending this, it seems a perfect fit for the story of a girl (Liana Liberato, really standing up to some dense and disturbing material) who’s lured, slowly, by an internet sex predator in to a sexual liaison in a seedy hotel room. This idea is inherently uncomfortable but the reaction of her peers and family to the event are equally uncomfortable. Mimicking this viewer, many turn their heads and try to block out the idea, while others, Clive Owen’s father character in particular, angrily try to find meaning in violence. Schwimmer does a fine job of never sugar-coating anything in anyway, and the film ends up as a no-holds-barred breakdown of the horrible nature of rape.

Trust devolves, frequently, in to an arch-afterschool special. Emotions are earnestly, and painfully splayed across the screen, and at times, with the subject matter especially, it becomes sticky and difficult to wade through. Schwimmer has a few key elements of a good picture here, but his tendency towards melodramatic segues and overwrought confrontations drags the film down.


The Lesson:

Films about internet sex predators really really make me feel nauseous.



- Noah Sanders -



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