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Tuesday, September 7, 2010

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - Machete

The Impression:

Another dumbed-down action flick in the nu-sploitation genre Quentin Tarantino and Robert Rodriguez have been trying to so hard to pull up by the bootstraps.


The Reality:

I don’t get this new wave of exploitation rehashes.  Sure, Machete is a fun flick full of senseless violence, nudity, and a surprisingly liberal message about immigration, but it’s also a slapped together film that gets a free pass on its shoddy production quality and poor acting because of its connection to exploitation film.  The exploitation films of the 1970s (grindhouse, if you will) were rife with violence and nudity and shitty production because, honestly, that’s all they could offer.  They didn’t have the money, and in many ways the talent, to do any better, so they pounded their films with bloodshed and t ‘n’ a in an attempt to give their audiences something they could enjoy.

Machete on the other hand is chock full of good actors who are just chewing scenery to fulfill genre requirements.  The script’s dumbed down jokes and careless plot contrivances are entertaining but unneeded.  That said, the audience I saw this film with absolutely loved it, the gore and boobies completely blowing them away each and every single time.  I don’t know if that’s something to be said about the American audiences love of all things low-brow, or if I’m just too much of a stodgy film snob to find a terrible amount of enjoyment in this rehashed 80s action flick.


The Lesson:

I’m not the right audience for this sort of film, but that audience certainly exists.



 

Noah Sanders is the blog/news editor at Light In The Attic and a contributor at Sound On The Sound and the KEXP blog.  He also has his own Criterion-based film site, Criterion Quest.   If you'd like to contact Noah in regards to his writings here at Side One: Track One then please do so here.

- Noah Sanders - -



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