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Friday, November 19, 2010

Alex Gibney is, at least from my experience, an impressively solid documentarian. He doesn’t stray in to the more conceptual aspects of his subjects like say Errol Morris, nor does he wave nagging fingers at hot-topic issues like say Michael Moore. Instead Alex Gibney approaches his subjects (the lying sneaks of Enron, the war in Iraq, etc.) with a workmanlike deconstruction. His approach pulls away the layers without telling the audience how we should feel or what we should be thinking. In his new film, Client 9: The Rise and Fall of Eliot Spitzer about a subject as divisive and possibly scandalous as the one-time Democratic superstar, this approach allows for an astonishing breadth of ideas and themes to be addressed without drawing a hard line in the sand. Instead Gibney creates a film that not only encompasses his subject quite fully, but also gives an expansive amount of breathing room for discussion of the ideas.






Review - Client 9: The Rise And Fall Of Eliot Spitzer

Eliot Spitzer, for those of you not wire-jacked in to the 24-hour news cycle, was the one-time New York Attorney General turned Governor (described in the film as the biggest thing to hit the Democratic party pre-Obama) who slept with a steady of prostitutes and ended up exposed, and voluntarily removed from office. The big coup in the film is Gibney’s lengthy interview with the exceptionally smart and well spoken former governor. The discussion of his life, career, and the incidents which led to Spitzer’s downfall make up the framework of the film. The spaces in between are filled with the requisite, though amazingly well done, informative interviews with political foes, high-end madames, friends and colleagues and everything in between. Gibney’s reach in the film paints a scandal that has exceptionally deep roots. This is not just the story of a man who couldn’t control his penis. It’s the story of a politician not scared to speak out against corruption, and the men who, seemingly, aspired to bring him to his knees. To say that Client 9’s only goal is to pull the curtains back on the true story of Spitzer’s fall is a great disservice to Gibney’s film. Instead Client 9 is a film that shines a spotlight on not only our entire political system, but the way in which sex and the temptation of it has become compounded in the American view in to a near moral dilemma. Spitzer succumbs to the temptations of sex but never does it effect his bombastic political career, instead it cracks his impervious armor wide open, allowing the grabby hands of the business elite a stepping stool to hang him from.

My only complaint about the film is that Spitzer himself - though again eloquent in speech and a brilliant, ballsy addition to the film - never speaks enough about his own political demise. Instead when asked about the scandal and the seeming obsession with prostitutes, he remains tight-lipped, as if he’s still unable, for personal or political reasons, to expose the truth behind what really happened. I wanted more from Spitzer, his viewpoints, his reactions, his emotional response, but a viewer can only ask for so much from a politician on camera.


 

Noah Sanders is the blog/news editor at Light In The Attic and a contributor at Sound On The Sound and the KEXP blog.  He also has his own Criterion-based film site, Criterion Quest.   If you'd like to contact Noah in regards to his writings here at Side One: Track One then please do so here.


- Noah Sanders -




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