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Wednesday, June 2, 2010

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - The Father Of My Children

The Impression:

A French film about a French independent film producer nicknamed "The Pirate."  Though I had absolutely no knowledge of the film, or its inspiration, going in, the sheer Frenchness of the film appealed to my latent film snob.


The Reality:

I really enjoyed The Father of My Children but I can't say that it varied a terrible amount from the tight structures of modern French cinema I've grown accustomed to.  It's a well-made, well-acted piece with an especially impressive set of performances from Louis-Do de Lencquesaing and Chiara Caselli as the heads of the Canvel brood.  The narrative follows the long-lasting impression of the French New Wave as it weaves and bobs without seeming judgment, opinion, or path.  The characters are uniformly round, and I felt for each and every one of them.

That said, even with a shocking plot twist in the first half of the film, I found myself liking the film but not entranced.  I find myself always a little put off to realize that cinema, regardless of its origin, can still be squeezed in to a mold.  Be it French or American.


The Lesson:

The French do family films particularly well, just not particularly different.
 



 

Noah Sanders is the blog/news editor at Light In The Attic and a contributor at Sound On The Sound and the KEXP blog.  He also has his own Criterion-based film site, Criterion Quest.   If you'd like to contact Noah in regards to his writings here at Side One: Track One then please do so here.


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