10. This
group’s sense of quirk added to their cutesy, loveable folk
made it hard for me to not to place this group among my
favorites of the year. It’s music that’s warm and
approachable, and I quickly made friends with this album.
09. While
Archandroid was lesser than what I had hoped when it
comes to a follow-up for Metropolis, Janelle Monae
continues to win me over with music that’s got as much
character as the girl with 'do.
08. Around
these days, it seems as if people are just slapping their
work with the label of "instrumental" in an effort to
justify their wordless noise or songs with failed lyrics,
just like how we, back in high school, kept calling the
crappiest of our work "abstract." But then you come across
the Octopus Project, and you realize all is still well with
instrumental music, and there are people out there who still
care about what they're doing.
07. I remember
the likes of Beach House back with Devotion, and I
can remember the likes of Beach House way back with their
debut self-titled. Whether it’s a case of moving labels or
just third time’s a charm, Teen Dream is what you get
when a band discovers who they truly are and play that
identity to their best.
06. Yeah. Matt
& Kim. It seems as if everyone else doesn’t give Matt & Kim
a single serious thought, but this dynamic duo isn’t about
serious. Matt & Kim are fun, and that’s all that matters to
me. I have a serious amount of fun with this album. It’s
childish and full of energy, and I love every bit of it.
05. The musical
drought that Sufjan Stevens subjected his fans to surely
contributed to an overhyped release, but all things
considered, The Age of Adz truly is a remarkable
album. Following a period of musician’s block, The Age of
Adz represents a changed, strained musician. You can
sense the incredible effort that Stevens placed into this
album, and the results are nothing if not admirable,
incredible and truly artistic.
04. Surfer
Blood is a surprise to me. Among other things, I hate
everything about Florida unless it exists solely within the
confines of Walt Disney World. By most accounts, when it
comes to this West Palm Beach-based band, I should have
trouble liking their album, but I do like it ... a lot.
03. I don’t
know what precisely drives me to like Frightened Rabbit as
much as I do, but there’s a familiarity to their music that
I just find fitting and right. The Winter of Mixed Drinks
continues along the group’s pragmatic perspective of down
but not out, and as depressing as things come to be, the
uplifting nature of their music continually anthemed me
through the year.
02. Yeasayer
had me from the start even before the full release of Odd
Blood when they released Ambling Alp as a single
come the end of 2009. By then, I had my opinions on Yeasayer
with All Hours Cymbals - “meh” - but then Odd
Blood came. It's one of those albums with an open
accessibility that lends way to such a new wide, broadening
horizon. It’s only right that a band keen on hallucinogenic
tones and visuals be the one to open my mind up a bit this
past year.
01. It’s simple
really. Give me any year that Spoon released an album, and I
will always rate Spoon first. You call it bias. I call it
genius.
- Brad Benedict Corteza -
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