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Friday, April 16, 2010

For the sake of not having to write the same intro a million different ways throughout the rest of time, just know that this column avoids the overly long and sometimes dull process of full film reviews and instead opts to break things down based on what I thought going in, what happened while I was there and what I learned at the end of it all.  Thanks for reading!




The Breakdown - The Perfect Game

The Impression:

Coming in to The Perfect Game I literally had no idea what to expect.  I'd heard Cheech Marin, I'd heard baseball, and I'd heard the 1960s.  It seemed like there might be potential.


The Reality:

Probably the most pandering bit of sentimental morality film I've ever seen.  The story of Monterrey, Mexico's first Little League baseball team and their improbable journey to win the World Series is handled with all the grace and subtlety of a drunken boxing match.  The dialogue is a Bartlett's Quotable of cliche, both sentimentally and sports-wise.  You'd think Clifton Collins Jr., so good in Capote, would be able to somehow elevate the character of spurned towel-boy-turned-coach Cesar Yaz into a character not defined by underwritten love and lingering racial resentment.  But, alas, the craptitude of this script is too strong, bullying the talent of any actor within the film in to non-existence.

Also, Cheech Marin plays a priest, and every kid in the film looks like a white person painted brown.  Seriously avoid this film like a poisonous snake.



The Lesson:

When you're sitting in a screening and don't recognize a single critical face, it's time to get up and leave.




 

Noah Sanders is the blog/news editor at Light In The Attic and a contributor at Sound On The Sound and the KEXP blog.  He also has his own Criterion-based film site, Criterion Quest.   If you'd like to contact Noah in regards to his writings here at Side One: Track One then please do so here.


- Noah Sanders - - Digg!




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