Thanks, first, to all SOTO readers for my warm and fuzzy reception on the 14th, when I made my first attempt at writing about hip hop on this great site. Like Kerri Strug’s first shaky somersault being applauded, that write-up and response made me want to try my hand at the balance beam. So, here I go, in what I hope to make a monthly feature, a post about an early hip hop icon who changed the genre forever. Hip hop as we know it is (arguably) celebrating its 35th anniversary this year, so the figures of which I type may or may not still be around, and I hope you can appreciate and enjoy the profiles I submit to you in the coming months, or years if John thinks I’m worth it!
Roxanne
Shanté
Some among you may remember the 1984 U.T.F.O. surprise
B-side hit, Roxanne, Roxanne, which, in all its
misogynistic glory, introduced the character of Roxanne, a
"stuck up" neighborhood girl who refuses their advances.
The old school pioneer of whom I write today goes by the
name "Roxanne Shanté" (born Lolita Shanté Gooden in
Queensbridge) and was 14 years old when the song came out.
In a story that belongs to hip hop lore, she happened upon
Marley Marl, DJ Mr. Magic, and Tyrone Williams talking about
U.T.F.O. canceling a show. Roxanne offered to record an
answer record to U.T.F.O.’s hit, and thus was created the
squeaky but no-bullshit voice of one of the most influential
female MCs in hip hop.
I chose to focus on Roxanne Shanté in the first installment
of "Old School Spotlight" for many reasons. She wasn’t
the first female MC, but her take-no-prisoners flow and her
admirable willingness to directly challenge male rappers in
a decidedly masculine industry makes her a pioneer. Not
only could she work at the same level as other NY MCs, she
could also walk away from it all. Her breakout as a
top-selling female MC at a time when none had received such
remarkable sales or recognition opened doors for the likes
of MC Lyte, Queen Latifa, and Jean Grae. Her spirit as an
MC standing up for her gender helped a girl like me believe
that one day the genre could be shared by the sexes. I
haven’t seen that hope realized yet, but the ladies that
I’ll spotlight occasionally in the coming months have all
done their part to keep it alive.
- Leah Manners
-
|