What a year! I’ve really enjoyed writing for Side One:
Track one for 2009, and this may not be the last you see of
me. I’ll try to keep writing the occasional one-off for
John in the coming year.
As far as the year in hip hop releases, the first few months
dragged on without many good releases and it seemed as
though a well-written, well-produced hip hop album would
never come out. I even worried that 2009 would drag on and
on without a good album and I’d have to rely on my rather
sweet stash of excellent releases that came out last year.
Luckily though, things picked up during the summer, and I
now present to you the very best hip hop of 2009:
By the way, none my choices involve any rapper that upholds
violence, money, or objectifies women in favor social
progress or original ideas. They may have their chops as
wordsmiths in tact, but they do nothing to forward the
message that hip hop is capable of making.
Thanks for reading!
Leah's Top Hip Hop Of 2009
10)
Solillaquists Of Sound - No More Heroes
This Orlando-based quartet brought tears to my eyes with
their touching first-person tribute to Rev. Martin Luther
King, Jr. on Bulletproof. Well, they would have if I
hadn't had my tear ducts removed surgically back in '96
(I'll miss you, BoysIIMen). The concept album features
songs that in part may be hip hop, but they've borrowed bits
and pieces from jazz, rock, and soul to create an LP more
focused on great music than fitting into a genre. Each song
recalls outstanding figures from years gone by and makes a
call to action for the current generation to put on their
shoes and get to marchin’. The energy of No More Heroes is
striking, fervent, and eager.
:Solillaquists
Of Sound - Bulletproof:
09)
Sojourn – Sojournalism: The Summer Articles
As a member of the revered San Diego group Future Shock,
Soujourn has contributed much to the art of the underground
on the west side, and his fluid collaborations and network
come together in a diverse and showy display on his first
and only solo release in 14 years, Sojournalism: The Summer
Articles. The time it’s taken him to make this album is
part of why the outcome sounds so jam-packed with lyrics and
ideas. At times he wanders and indulges himself in some
off-the-wall digressions, but the album as a whole is about
the journey of an artist through life, and the obstacles
both narrow and big-picture they are forced to face.
:Sojourn
- All Things Considered:
08)
The Grouch and Eligh - Say G&E!
Eligh and Grouch, both members of the Cali underground
Living Legends, come together on Say G&E! with a wildly
disparate sound but end up producing a startlingly balanced
and eclectic record. Grouch, with his laid back delivery is
all message and Eligh, the rapid-fire counterpart is all
high concept. They make the dichotomy work, and the amazing
beats and cameos by Slug, Gift of Gab, and Flying Lotus,
among others, doesn’t hurt.
:The
Grouch And Eligh - Push On (Push Up):
07)
Speech Debelle - Speech Therapy
It’s tough to think of Speech Therapy as Speech Debelle’s
debut album. Her wordplay and technique are advanced, but
her open vulnerability contradicts the seeming maturity of
her music. Any artist that’s been through the critical
wringer once isn’t likely to open up like Speech has on this
album. Her individual style is well complemented by a live
band behind her called the Therapists, making for a smooth,
mellow, and quietly personal release.
:Speech
Debelle - Better Days (Featuring Micachu):
06)
Ancient Astronauts - We Are to Answer
This German DJ duo Kabanjak and Dogu billed their album as
"a musical trip through the cosmos returning back to Earth
with spacey flutes, intergalactic lyrics and earthy drum
beats". They got it pretty dam close to sounding like a
space trip, with dense complex beats that engulf at first
listen. With an orchestral and sound that traverses from
funky to far-east in a matter of beats these two from
Cologne brought in hip hoppers that tracks put up
tremendously energetic performances.
:Ancient
Astronauts - Risin High (With Raashan Ahmad):
05)
K’Naan - Troubadour
This was one of the few early 2009 releases that gave me hope
for the rest of the year. K’Naan is well known as a Amolian-born
Canadian rapper whose background is rougher than 50 Cent’s
(he has lyrics about it on his first album), but this album
transcends everything about his past and brings his
incisive, emotional lyrics to a new level. Troubadour
proves that you don’t have to be boring to be a conscious
rapper. Above all, the album is fun: energetic and powerful
with hoppy beats and an overwhelming jubilation.
:K'Naan
- ABCs:
04)
Abstract Rude - Rejuvenation
Rejuvenation is a fourteen-sided die of Abstract Rude’s
techniques. Each track showcases another of his well-honed
skills; they all add up to a great album. Well, actually,
they add up to a really good album that could be a great
album if it had better production. I’m not talking about
sound quality - Vitamin D’s beats are as polished as a
katana sword, but they lack a certain vitality and punchiness that would push
Rejuvenation to the next level.
:Abstract
Rude - Thynk Eye Can (Haiku D'etat Mix):
03)
Fashawn - Boy Meets World
As Fashawn puts it in his debut album, he’s "writing lyrics
you can feel like Braille." The album about growing up out
of hard times to become a rapper has been done so many times
that is has become a classic trope in hip hop. However,
rarely have I heard it done so well. Fashawn approaches
each common theme with a fresh rhyme and his words and flow,
while following the path laid by other rapper, skip and jump
along in their own unique way. Paired with the excellent
mixing and production by Exile (Joanna Newsom sample FTW!)
this album is close to perfect. The only thing keeping
Fashawn from taking the #1 spot this year is that he
sometimes strays too close to the cheesy sap of the teenage
years (When She Calls), and of course, the phenomenal
artists that beat him.
:Fashawn
- The Ecology:
02)
DOOM - Born Like This
Comparisons between Doom (aka MF DOOM) and other rappers
have always been futile. Doom seems to lack the constraints
that other people follow, like staying on one general topic,
using clear pronouns, or showing their faces. The nature
of Doom’s music is such that he will never produce an album
that’s easy to follow and keep pace with; he will always
throw you off with sentence fragments, non-sequitors and
absolute craziness in the lyrical domain. On Born Like This
he seems to have embraced his darker, more inconsistent side
and you’ll feel yourself following him and his usual
anachronistic samples into the abyss.
:DOOM
- Absolutely:
01)
BK-One and Benzilla - Radio Do Canibal
While Ryhmesayers has released a number of good albums from
its artists this year (Brother Ali, Slug, and POS), these
solo albums have nothing on the technique that brings many
of those same artists together on the sole-source concept
album called Radio do Canibal. Sampling only from Brazilian
source music, BK-One (the DJ for Brother Ali) weaves a
tapestry of hip hop and funk that literally has no weak
spot. Every track rocks or slow burns in its own way and
each seems researched and deliberately matched with its MCs
to form an atmosphere of international communication. I
picture BK-One in a lab coat hovering over beakers, but I
assume it came together more organically than that.
Regardless of the creative process that went into this
album, the one thing that cannot be denied is its
repeatability - you can put this album on repeat for days
and never tire of it. Coming in at #1 on my year end list,
this album will surely become an underground classic,
especially with cameos from such larger-than-life figures as
the Rhymesayers artists mentioned above, as well as I Self
Divine, Raekwon, Aceyalone, Abstract Rude, Scarface, and
many others.
:BK-One
And Benzilla - Mega (Featuring Aceyalone, Mkya 9 And
Abstract Rude):
Honorable Mentions:
Dysposable Heroes - Genius Vs. Genius
Smooth Current - Maintain The Focus
Sojourn - Sojournalism
Exile - Radio
Move.Meant - Meant to Move
Antipop Consortium - Fluorescent Black
Leah Manners is the host of KOOP's (91.7 FM) Hip Hop
Hooray, which airs on Sundays from 2pm to 3pm. If you'd like to contact
Leah in regards to her
writings here at Side One: Track One then please do
so
here.
- Leah Manners
-
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