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Sunday, August 16, 2009

Well friends, its been a while since I’ve been standing on this here soap-box, pawning off advice about new tracks and vids in the Austin scene.  Luckily, since that time a slew of new releases has taken us out of a mild drought of local music.  Today, we’ll see new releases from The Calm Blue Sea and New Roman Times (a release I’ve been waiting for for what seems like years now) and a video from the Octopus Project.


 

New Roman Times - On The Sleeve

It’s been a few years since New Roman Times up and made the move here from Orlando, Florida to heed the familiar call of Austin-town.  Since they’ve been here though, it’s been only a long stint of live shows and a few press mentions that’s kept them above a whisper.  Well, no more: Recently, as you may have heard, the band dropped their sophomore album On the Sleeve.

And it was definitely worth the wait. In the hands of a new bright and roomy production, the band is free to fill up a space they’ve never had before, sending dance-rock rhythms howling and careening both through an all-too-brisk ten song set.  The band manage to strike a fine line down a mixture of qualities that lend themselves to reckless dancing, and intimate Sunday-morning listens, managing a large cast of complexly intertwined elements of both but unafraid to turn to central casting for a quick punchy guitar solo or two.  The dark underside of both the music and the lyrics (which aren’t required for total enjoyment) grantees repeat listens, and repeat albums I hope, but let’s start with Bells.


:New Roman Times - Bells:
 

The Calm Blue Sea - Siegfried: An Original Score

If you remember back a few months, I mentioned and interviewed the
Calm Blue Sea while they were gearing up for a performance of an original orchestration to an old silent film, which they premiered in March at the Alamo Ritz.  It appears the band has been hard at work again (let’s not forget last year’s excellent self-titled album), finally putting the orchestration down on tape for our fortunate posterity.

At over an hour and a half and 17 songs, the score stretches through monumental changes, beginning softly with bells and a snare cadence morphing through bouts of channeled, burning energy, but soon settle just as eerily into serene silences that, like the surface of a calm sea (as the bands name so expertly references), suggests hidden violence and turmoil lurking ominously underneath.  Sounds like the plot to a good movie, actually. Apparently a copy of the album synched up with the movie is floating around the internet somewhere, so be on the lookout.  For now though, try this song, The Treasure, one of the longer ones on the album.  The band kick of a tour soon, with a date in Austin later this month that you should make a showing for if you know what’s best for you.

:The Calm Blue Sea - The Treasure:
 

Octopus Project - Wet Gold

Suspicious as I was about the Octopus Project adding vocals to their trademark friendly-ghost instrumental pieces, but now having heard the new ideas in full embrace on tracks like this one, I feel a little silly for having doubted the band in the first place.  Of course they’d incorporate vocals in a way that accented that trademark sound of theirs.  Watch the video for Wet Gold below.

John Michael Cassetta keeps his own blog, Big Diction, and writes for the local website Austin Sound.  Comments, complaints, and solicitations may be directed here.

- John Michael Cassetta -



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