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Saturday, September 20, 2008
 

I've been staring at my computer screen for hours over the course of the last week.  As many of you know, I work for Light In The Attic, and our most recent release is a pretty bizarre one (Stephen John Kalinich, spoken word poet produced by Brian Wilson of The Beach Boys) and I've been slogging about in the lowest of places to try and get the word out.  What places? you might ask: Beach Boys fansites.  These garishly colored, severely outdated sites are world unto themselves, filled with nerds of a ridiculous variety who spend hours upon hours dissecting the various lyrics, themes, and what not you can derive from the many albums released by The Beach Boys (yes, including the large multitude of side projects).

Today, nearly all of today, was spent sifting through these, sigh, fansites, dropping hints about this new reissue.  And let me say this, my brain is spent.  Faded tracers of palm trees, bermuda shorts, and the wrinkled mug of Brian Wilson keep floating in front of my eyes and lord if it isn't painful as anything. 

If you haven't realized yet, this is just a weak excuse as to why my triumphant return this week will not be a full on expose about the generic state of rap music, or a cynical peek at the back catalog of your favorite band.  Nope, unfortunately, this week is going to be an EP (one of my favorite forms of column to write) that collects some of my rambling musical tastes from the last few weeks.

Enjoy, and please, don't hate.

:Portugal The Man - Lay Me Back Down:  Seattle, Washington's local music scene is absolutely churning with bands like these right now.  Solidly talented performers who's musical influence stems from the early to mid-70s.  Call it a Fleet Foxes influence, but I think Seattle is just on the cusp of the new sound.  Portugal.  The Man, has honestly put out like ten albums, but this track of their newest, unreleased album Censored is mind-blowing.  It's a long, multi-stage song, and the way they work the build, the fall off, and then the explosion back in to the body of the song, gets me every time.  It rocks, it seduces, it's a fucking great song.

:Miles Benjamin Anthony Robinson - The Debtor:  I love myself a singer-songwriter, and these days solo musicians are pushing their music farther and farther away from the closed doors definitions we've lived with for so long.  Goodbye Jack Johnson, hello Miles Benjamin Anthony Robinson.  There is a real emotional sincerity that sits in Mr. Robinson's voice, and it's only improved upon by the layer cake of backing noise he surrounds himself in.  You can hear a lot in it, a tinkling of glass, an organ, the soft twang of the acoustic guitar - but it's the voice that cuts through it all.

:Cold War Kids - Something Is Not Right With Me:  The new album by one-time favorites Cold War Kids is, well, something to discuss.  I was planning on writing an entire piece on the new albums by Kings of Leon and Cold War Kids, but that'll just have to wait until next week.  For now, I'll give you this, a great single from the new album Loyalty To Loyalty, and just say this: it is one of only about five on the album.  But enjoy it, 'cause it's great.

:Chad VanGaalen - Willow Tree:  If you've ever had the chance to see Mr. VanGaalen perform live, you'll know that he's a pretty strange character.  You can tell this by his albums and their weird allusions to dead animals and rifts in reality, but live it's a different matter.  When I saw him open for Of Montreal a long while ago, he told a story that included these three elements: his birthday, his girlfriend, and poop.  Not saying that they went together in the way that I'm sure you're all assuming, but nonetheless it was very odd.  Luckily, this oddness always seeps in to the folksier of his songs, and Willow Tree is a real doozy of a twanger.

That's all I got this week.  And what a weak week what it was.  Next week though, not weak at all, indeed it'll be strong and full of vigor and verve.

You just wait.

Thanks for reading.


Noah Sanders is the blog/news editor at Light In The Attic and a contributor over at Sound On The Sound.   If you'd like to contact Noah in regards to his writings here at Side One: Track One then please do so here.

- Noah Sanders -



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