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Wednesday, March 5, 2008
 

With the announcement that Iggy Pop will be doing a tribute to Madonna at this year's Rock N' Roll Half Of Fame inductions it got me thinking about unlikely covers.  So, I unearthed a few for your listening pleasure.  Enjoy.

:Charlotte Martin - Obstacle 1 (Interpol Cover):  In my opinion this is an incredibly tough song to cover since it is pretty much one of Interpol's best songs, and you can't just do whatever and expect it to compare.  Fortunately, Charlotte doesn't try to change too much or be wildly different.  Instead, she keeps much of the original intact while making it more of a creepy listen with little goth-inspired details here and there.

:Kate Nash - Men's Needs (Cribs Cover):  Hearing Kate actually do something that's not pretty and/or bouncy took me a little while to get over, but once I did I found that she did a fairly inspired take on this song.  The original is a mostly no-frills, indie pop rock number that's meant to entertain, and that's about it.  Kate's version though switches it up by using a lot of acoustic guitar and the fact that a woman and not a man is singing the lyrics.

:Adele - Last Nite (The Stroke Cover):  At no point can I say I've ever wanted to experience an Amy Winehouse-esque version of this song, but that's what this is and it's surprisingly great.  I really like how the arrangement is most left alone so that all of the focus is on Adele, who is so good that she just might convince you that she originally wrote this gem for the Strokes.

:Yael Naim - Toxic (Britney Spears Cover):  Of all the covers here this is probably the least surprising considering that the process of taking a huge hit and completely flipping it has been done for years.  However, this is an infinitely interesting version of this song and I don't want you to skip it because you're thinking that it's just some run of the mill effort to get press or something.  Nope, this is worthy of many listens.

:The Boy Least Likely To - Faith (George Michael Cover):  Why anyone would ever really want to be associated with anything that George Michael created is beyond me.  With that being said, this is one hell of a cover.  The duo actually manage to take the cheekiness of the original and turn it into a fantastic indie pop tune that doesn't make you feel like the lamest person in existence when you sing-a-long.

- John Laird -



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