Alright, lets start this off with an apology and an
explanation. For the first time since early
April I completely and totally forget to post last
week. I know, my three our four weekly readers
probably shed a single tear before carrying on with
their glamorous lives, and for that I’m sorry.
But I have good reason. I was excited, bursting at
the seams even, because last weekend was SP20, the
two day festival celebrating the 20th anniversary of
one of the great record labels of all time. I
had a VIP two-day pass burning a hole in my pocket
and was itching to get to Redmond, start drinking,
start seeing live music - it was the only thing I
could think of.
Until John Laird wrote me to ask where my weekly
column was.
I had nothing to say, just a mumbled apology, and
the promise that this weeks column would have my
thoughts and opinions on what I saw, what I did,
what I enjoyed. So for your weekly enjoyment,
an SP20 rundown.
SP20: Why Living In Seattle Is Amazing
Last week was
an absolute explosion of Sub Pop celebration: secret shows
abound, the Space Needle painted to look like those old Sub
Pop Single’s Club albums, the SUB POP FLAG FLYING FROM THE
SPACE NEEDLE. To say the least it was magical, a real
celebration of one of this great cities more important
treasures.
But the highlight of the entire week, for those smart enough
to attend, was SP20, a festival built to celebrate the past,
present and future of this amazing label. Mudhoney,
Green River, Flight of the Conchords, No Age, Fleet Foxes –
the list goes on and on, but to say anything, it was an
expansive selection of the great bands that have
helped this label to flourish.
I, as stated above, was lucky enough to be given access to a
two-day, VIP pass that gave me access to a mansion with free
booze and free food. Without money worries or a source of
food of alcohol hindering me, I was set to just drunkenly
enjoy a weekend of music.
Here’s a loose selection of my thoughts from both days:
No Age, whom I
was most excited for, was exactly what I expected. A noisy,
messy, sort of indecipherable blur of grimy, sunken
melodies. None of my friends understood my excitement
or my enjoyment of the show but none of them were fans of
the album to begin with. And I think it’s one of the
main problems of that whole Smell scene in LA.
Now from what I’ve seen, it doesn’t exactly translate on to
the stage. Strangely enough, with all of No Age’s DIY
attitude (hell, with the whole scene’s DIY attitude) the
noisy, sort of hidden gems of the album don’t translate well
live. I appreciated hearing the music, and seeing the
duo perform, but I wasn’t blown away.
It’s nice to
see bands reuniting. I’ve always worried that every
band that reunited for a big come-back tour, would be like
Boston or Hall and Oates, just a bunch of cheesy bros coming
back together to cash in on their failed successes.
But at SP20 it wasn’t anything like that, these were bands
who forming back together to celebrate their small, or large
roles in the history of this, well, historic label and it
one hundred percent showed. Bands were smiling,
throwing out jokes, just happy to be playing for something
they had been, or still were a part of. And this sense
of happiness spread, the fans were great, everyone eager to
share in this atmosphere, no one fighting and only a rare
few acted like assholes. This was something special.
Assorted VIP
observations:
- David Cross was almost creepy looking. He had some
one fairly young, and vaguely famous hanging off his arm,
but I could only stare at his strangely haired face.
His beard sort of jutted out in front of his eyes, giving
him a sort of back-alley bum kind of feel. If anything
he didn’t look very funny.
- Contrary to prior belief, Stone Gossard and Jeff Ament do
not glow with the unholy power of rock and roll.
Rather, up close they looked like someone’s badly dressed
dad.
- The Foals drummer and I had a moment over the seemingly
lack of forks. It was the only conversation I had with
anyone remotely famous the entire weekend, and it left me
dry-mouthed and assured that I might be the most star struck
individual living.
Mark Arm (lead
singer of Mudhoney, Green River) might be the hardest
rocking man I’ve ever seen. I don’t care if Mudhoney’s
sludge-grunge is up your alley, it’s really an experience to
see just how wild he is on stage, even after all these
years. In both Green River and Mudhoney he’s been
freed from the restraints of a guitar, and now he’s just
like this wild ball of screaming energy, and it absolutely
rules.
I left Sub Pop
20 on Sunday night after being absolutely WOWED by Wolf
Parade and really feeling as if I’d just been a participant
in one of the great musical events of my time. Sure,
it wasn’t packed like Woodstock, or horrifying like
Altamont, but there was certainly an air of history in the
making. A feeling that everyone involved, everyone
watching, and every musician performing was staking claim on
a small piece of musical lore. It really was an
amazing event, beautifully put together by people who
clearly love their fans and their music. When, and if
SP40 rolls around I implore you, wherever you are, to get
there and be a part of it.
Thanks for reading!
Next week, a few addendums to my best of list for
the year, my thoughts on the new RATATAT and
whatever rattles out of my brain over the next few
days.
Noah Sanders is the blog/news editor at Light
In The Attic and a contributor over at Sound On The Sound. If you'd like to contact Noah in regards to
his writings here at Side One: Track One then please do so
here.
- Noah Sanders -
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