I've been meaning to write an original post, and not
just respond to Noah's. This will not be that
post. Instead, I'm going to be drawing from
Noah's post about FREE SHIT from yesterday, in which
he calls the blogosphere out for what it really is:
a hidden agenda of milking the industry dry of
promos.
I'll come clean: I'm in this game for the free shit,
and I get a lot of it. I once emailed Yamaha and
told them I owned a music shop (I do not) so they'd
send me a bunch of posters. Sure enough, a
week later I got a tube full of Anatomy of The
Violin and Jens Lindeman posters.
But there are some things that never come my way,
things that I peek into my mailbox and inbox every
chance I get, but never quite find. So consider this
post a collective shaking of the music industry,
hoping the fruit I want will fall out of it, into
the graciously accepting arms of my CD shelf.
:The
Low Lows - Sparrow:
The Low Lows are a Georgia band who (basically) used to be
another band, Parker and Lily, based out of New York.
I absolutely love bands who have a sound as cohesive as this
one; instead of picking out and appreciating the individual
instruments, you get to enjoy what feels like a singular
energy that flows throughout the song. Even the vocals
seem to melt into the rest of the mix. The band is touring
Europe currently, where their new album Shining Violence
was released last month. They've recently relocated to
Austin (boo-ya!), and Misra will be releasing the album in
the US here in a few months. I'd like an album, and a
t-shirt (small, please).
:The
Oaks - Masood:
The OaKs' Ryan Costello has the kind of history that makes
you feel pretty guilty: a few years back, he moved over to
Afghanistan to work with refugees, and generally make the
world marginally better than it was. If you're like
me, you define your life on how many CD's you own (hence
this post, of course), not how many lives you've made a
difference in. Luckily there's guys like Costello
doing enough good for the both of us, and also hopefully
adding to my CD collection in the near future. This
track, from their new album Songs for Waiting, has a
lot of the same cohesiveness as The Low Lows track before,
but what I find most intriguing is Costello's voice, and how
it creeps around in the back of the mix, exposing the rest
of the instrumentation quite effectively. I'd like an
album and maybe a few buttons (they sound like a button
band), though I'd settle for a sticker or two.
:Mom
- Skipping Stones:
Mom are a Denton band that I've seen a couple times, mostly
at in-stores and things like that. From what I
remember, they had a cello run through some effects, and
then a whole slew of other electronics. This track is
off their album Little Bright, which was out last August at
a couple of small stores around Texas. I think Western
Vinyl is about to do a bigger run of it, but don't quote me
on that. If that's the plan, I'd damn well better get
one, and I ain't payin'. This track, though, sounds a
lot like a peaceful day in the park, perhaps by a pond
converted into an ambient electronic masterpiece. I'll
settle for two copies of the CD and a poster.
:Weezer
- Weezer:
This is kind of a joke, because no I don’t have the new
Weezer single to post, and like John said, if I did the RIAA
would probably have my head in a basket by morning.
That being said, it's not really a joke: I'd really
appreciate if the new Weezer showed up at my door one
morning entirely unannounced. It's not that I want the
album, so much as I need it to keep my collection complete
(Yeah, I even own Make Believe. And no, I don't
want to talk about it.). So Geffen, if you could send
me the album, and maybe a few t-shirts as well, just to
relive my childhood in its entirety.
That's my wishlist. I'm hoping by bottling this up
and sending it floating off into the internet, some
underpaid PR rep somewhere will mail me the ultimate
key to happiness: FREE SHIT.
John Michael Cassetta writes for Austin Sound, That
Other Paper, and the British lifestyle website
RealBuzz.com. Comments, complaints, and
solicitations may be directed
here.
- John Michael
Cassetta -
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