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Saturday, March 17, 2007
 

My feet hurt.  Here is the rundown for our adventure at SXSW yesterday.  Enjoy.

The trade show at SXSW is something that definitely needs to be browsed at least once so Sarah and I hit that up for about an hour before we began the music portion of our day.  When we did decide to begin the rocking we choose to do with California's the Little Ones.  The indie pop group put on a nice set that left me with a smile on my face and the thought that I should look into them more.

 
Little Ones

After our warm-up band we bounded over to the Mohawk for the Hot Freaks party so that we could catch Imperial Teen, Annuals and Shearwater.  When we got there a band by the name De Novo Dahl had just started playing so we decided to watch.  The group had some awful costumes but the band's dancey indie rock made for a good listen.  Imperial Teen then put on a nice set that featured some new songs from their album that they said will be out in August with the title "The Hair, The Baby, The TV and The Band."  I thought that they sounded pretty good but who knows how much they will change between now and August.  Annuals ended up being our last set at the Hot Freaks party since the nice folks over at Cornerstone were able to get us into the Fader party.  The sound was better here than at Red 7 and I felt that overall the performance was a lot crisper.

 
 
Top Center (De Novo Dahl), Bottom Left (Imperial Teen), Bottom Right (Annuals)
 

We arrived at the Fader party right as Office had started playing.  I really didn't know anything about the band but the crowd was into it and their pop rock sound quickly sparked my curiosity.  I ended up really enjoying their set so I will have to check out more of their stuff.  Amy Winehouse followed Office up with one of my favorite performances of SXSW.  It was just her and a guy with a guitar as she put on an acoustic show for about 35 minutes that had me wanting to give her a hug for being so amazing.  To close out the party Datarock came out and bounced around with a mix of indie rock and electro to get the crowd dancing.  There set was a lot of fun, especially when they ended it with Time Of My Life from Dirty Dancing.

On a side note, I used my camera to record Amy's acoustic performance of Rehab and as soon as I get it up on Youtube I will be sure to share it here.

 
 
Top Center (Office), Bottom Left (Amy Winehouse), Bottom Right (Datarock)


Since I am a huge nerd and there was nothing at the beginning of the night that we really wanted to see we ended up at the Austin Convention Center for a nationally broadcast performance by Annuals.  We had already seen them twice before this so I was excited but not thrilled to be catching them again.  I guess I should have been expecting a lot more as the band took full advantage of being on such a nice stage that had a sound system which was capable of bringing every part of their sound to life.  I am not sure I will ever see them perform a better set.

Afterwards we moved on to Maggie Mae's were we watched part of the Suicide Squeeze showcase that featured Six Parts Seven and Page France.  I think Six Parts Seven is one of the best instrumental bands around right now and after hearing their beautiful music in the middle of the chaos of SXSW I think it's time that they got some more attention.  Page France drew a nice crowd and along with an all too brief set that had quite a few new songs in it I thought that they were quite enjoyable.

To close out Friday night Sarah and I went to Eternal to see the Faint.  I was completely blown away at how the band didn't really do a 40-45 minute set like most showcase closers do.  I don't know if they played longer since they were only doing one show or what but they played for an hour before doing a three song encore.  The old stuff sounded stellar and the handful of new songs that they played were slick, so I couldn't have picked a better time to see them live for the first time.  Life is good.

   
Top Left (Annuals), Top Right (Six Parts Seven), Bottom Left (Page France), Bottom Right (The Faint)

- John Laird -



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