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Tuesday, April 24, 2007
 

 

Asthmatic Kitty has my number and as far as I can remember the folks over there have been dialing it like there is no tomorrow.  I mean, of all the labels that send me music they are one of the few that I know I am resigned to write about when I see their name on a package or in an email.  Still, that is not entirely why I am rambling about Shapes and Sizes new album, Split Lips, Winning Hips, A Shiner, today.  I just think that it's a little crazy how the label instantly have me wrapped around their finger before I hear a single note.  Anyway, the Canadian quartet that I am currently enamored with will be releasing their new album on May 22, and AK's own Rafter Roberts (Fiery Furnaces, The Rapture, The Plot To Blow Up The Eifel Tower) mixed it.  Enjoy.

:Shapes And Sizes - Alone/Alive:  Caila Thompson-Hannant's work in this is so good that I am ready to throw her into the race for 2007's most interesting voice.  The way that she starts out with a quick paced, confident swagger is a lot of fun to hear, and the quiet moments when she sounds as if she is mixing things up with the instruments is rather neat.  Every band has a crowd pleaser, and this experimental pop gem will now be Shapes And Sizes'.

:Shapes And Sizes - Head Movin:  Sadly Caila's vocals are not present in this as she takes a backseat in favor of one of her fellow bandmates.  Still, I like the change of style since it's nice to hear the band's penchant for quirky, experimental arrangements laid beneath a completely different vocalist.  Also, I adore how the quartet sounds as if they love playing together; the energy level is somewhere beyond high.  If this doesn't stick in your head you might need to check your pulse.
 

On a grindhouse related side note, I experienced the power of Sonny Chiba's The Street Fighter last night.  The movie features Sonny doing some pretty badass stuff that includes: nifty aerobatics, removal of private parts by hand, removal of throat by hand, and my personal favorite, Bruce Lee-esque facial expressions.  It's easy to see what Tarantino made sure that Sonny had some work in Kill Bill.

- John Laird -



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