July 28, 2016


Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship’s shuddering hull and chirping instrument panels. William and Jonathan’s tracks draw an imaginary sonic map of the ship’s decks, hallways, and quarters, while Daveed’s lyrics ride the rhythms produced by its engines and machinery. In a reversal of H.P. Lovecraft’s concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, The character decides to pilot his ship into the unknown—and possibly into oblivion—instead of continuing on to worlds whose systems of governance and economy have violently oppressed him.”

Man, that is one hell of a concept for an album.  On a related note, I think Clipping’s first single from the LP is super rad.  Enjoy.

PS – Clipping’s Daveed Diggs, who plays Marquis de Lafayette and Thomas Jefferson in the Broadway musical Hamilton, just won a Tony.  That’s pretty neat.

:Clipping – Baby Don’t Sleep:

Splendor & Misery is due out September 9 via Sub Pop/Deathbomb Arc.

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