People are doing traditional-style reviews all over the web, so we decided to try something different. In each “breakdown” we’ll take a look at what a film’s marketing led us to believe, how the movie actually played, and then what we learned from it all. Read on!
“You know what we used to call you? The November Man, because after you passed through, nothing lived.” PIERCE BROSNAN IS BACK.
There’s really not a whole lot to say about The November Man. It’s a generic, uninspired and convoluted spy thriller that feels like it was made in the 90s, shelved and then dusted off only because Relativity had a hole in their release schedule. You shouldn’t bother seeing it.
By the way, I did go into The November Man thinking that even if it wasn’t any good, Pierce Brosnan would come through with some of the charm and charisma that made him famous. Nope! His performance is so uneven and disconnected that it made me wonder why he even made the film. Here’s hoping that his poor effort is due to him being in a bad film and not because he’s transitioned into the “mailing it in” portion of his career.
Does anyone have Liam Neeson’s phone number? Pierce Brosnan needs it.